Tomb of Shah Ali Akbar, affectionately known as the "Little Rukn-e-Alam", stands amidst the ancient lanes and spiritual heritage of Multan. Built in the 16th century, this shrine is celebrated for its distinctive architecture, exquisite Kashikari tilework, and enduring historical importance.
Location: Suraj Miani (Kabli Mohalla), Multan
Historical Background: Shah Ali Akbar was a renowned Sufi saint of the 16th century, descended from Hazrat Shamsuddin Sabzwari, one of the earliest Ismaili missionaries in South Asia. The foundation stone of the tomb bears the date 1585 CE (993 AH). Local traditions suggest that Shah Ali Akbar himself financed the construction, reflecting his social stature and resources of the time.
Architecture: The tomb’s resemblance to the grand shrine of Hazrat Rukn-e-Alam earned it the title "Little Rukn-e-Alam". Its features include:
- Three-tiered octagonal structure
- Majestic dome and conical turrets
- Use of horizontal wooden beams
- Finely carved brickwork
- Striking blue and turquoise Kashikari tile decoration
This monument exemplifies the Tughluq architectural style, which remained popular in Multan long after the decline of the Tughluq dynasty.
Artistic and Cultural Significance: The interior once dazzled with intricate ornamentation, Arabic calligraphy, and colorful murals. Experts note that the plaster carving techniques used here were similar to those employed at Fatehpur Sikri, placing the tomb among South Asia’s significant artistic landmarks.
Current Condition: Over time, the tomb’s interior suffered damage. Smoke from oil lamps and candles darkened the original paintings, while moisture, salts, pollution, and pigeons further eroded its decoration. In 2019, the Government of Punjab approved a restoration project focusing on preserving Kashikari, brickwork, and ornamental details.
Reference Note: The Tomb of Shah Ali Akbar remains a vital symbol of Multan’s Sufi traditions, architectural heritage, and centuries-old cultural history. It continues to embody the city’s spiritual and historical identity.
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